Oresteia (York Theatre Royal, 12th February 2009)

This is a young cast, so we don’t see the difference in ages between characters in physical appearance, but in a production which draws attention to itself as theatre. This production has echoes of the company’s earlier production, A Clockwork Orange with its audience interaction and a leftover bowler hat from A Clockwork Orange appears now and again. This is the story of Oresteia abandoned by his mother and seeking revenge. It is not as violent as A Clockwork Orange, but as this is a play about murder in the family, it is just as savage.

On entering the theatre the audience is greeted by cast members, white faced as if the are the walking dead. The Fates are dressed in black with top hats, dark round framed sun glasses looking like Victorian funeral directors. They bring out their pocket watches as if the clock is ticking on audience and characters. When Clytemnestra is about to die, poisened by her own son, the Fates stand behind oberving their watches ready to cut a thread. It is a production that works really well in the studio space and a really engaging use of metatheatre. Masks are used in interesting ways, particulary to represent the massess and Cassandra represented by a puppet, the different voices giving a real sense of her madness and prophersying powers. Actors change easily between the roles.

The production moves on at a pace and there is no interval.

Previews and Reviews

The Oresteia, The Studio, York Theatre Royal (F…
The Oresteia, The Studio, York Theatre Royal, until February 14 (From York Press)
Review: The Oresteia, Belt Up Theatre, The Studio, York Theatre Royal until February 14 (From York
Preview: The Oresteia, The Studio, York Theatre…

Moses Jones (BBC2, 9th February 2009)

It was really horrific watching a woman have her face smashed with a hammer last night in the continuing Police drama Moses Jones. It’s a drama as I’ve said before that doesn’t really spare us the details of both the mental and physical violence. I am struggling to follow Moses Jones because it is very complex in terms of the plot development, so enjoy is the wrong word, but I am finding the whole programme fascinating. The programme follows complicated relationships and the consequences of past lives, meetings and actions. It’s a programme where characters may not say what they feel but it is expressed on their faces and though body language. This was the point of Joy and Moses simulating action for the CCTV camera (also a device used in Corrie tonight as well), what you thought you saw might not really be the truth. As viewers we are constantly reminded in the programme of smoke and mirrors, so I am prepared for some twists in the third episode next week.

Is Moses falling in love with Joy?

It's a crime (drama) again.

Recently, I feel like I’ve been binging on Crime dramas. Is it that time of year…

From the wrong side of the law perspective, I watched the new Minder (4th February 2009 Five) last night on Sky Plus. I had heard some of the reviewers which weren’t that keen. Why produce a remake and George Cole had said it was a programme for the eighties and didn’t have the same relevance now. Though with the credit crunch so maybe the remake will be more relevant than we first thought. The new version wasn’t the most gripping drama in the world and it was light and fluffy, but it was entertaining when you’re just winding down and don’t want anything too deep. Maybe, I’ll watch another ‘new’ Minder when I’m chilling, but not sure if it will be something I’ll want to become a regular viewer of. The ‘new’ Minder with Shane Richie as Archie Daley, Arthur Daley’s nephew, and Lex Shrapnel as Archie’s ’minder’ Jamie Cartwright, moved quickly to establish the partnership between the two men, but Archie and his new minder are too much like each other. Shane Richie looks like he could look after himself if he could be bothered and Jamie felt, at times, like he has come out of Kill Bill because he had to be extreme to make us believe he was the perfect minder for Archie. The thing about the original was that as a viewer you felt that Arthur was vunerable and you didn’t mind the petty stuff, but felt on his side when he got dragged into the more dangerous and heavy crime stuff. ‘Lovable rogues’ comes to mind and this is really the concept behind the new Minder, which might mean it still has some appeal as a concept. Someone mentioned that Arthur Daley was built on George Cole’s Flash Harry character in St Trinians. So why didn’t Five cast Russell Brand as the new Daley character. Now that would have been a different Minder from the original.

In contrast, I watched Moses Jones on Monday (2nd February 2009, BBC 2) and that was really gripping, but you couldn’t miss a minute and had to concentrate on every line. This was clearly heavy stuff and like most of these kind of dramas you’re not spared the gruesome visual images of damaged bodies. I shall certainly be watching Moses Jones again and it will be one of my regular Police/Crime/Murder Mysteries dramas along with Trial and Retribution, Midsommer Murders etc. I liked the relationship between Jones and his sidekick (Matt Smith, the new Doctor Who). Will we get fed up with Matt Smith though, if we are exposed to the hair and cheekbones too much before he gets to the Doctor Who moment.

I was disappointed when I read that Wire in the Blood wasn’t coming back, that was a programme that I really enjoyed. This was a programme that like Prime Suspect pushed boundaries in terms of the evidence of real evil that could be shown on the screen. In many ways, I don’t need to see all the blood and rotting bodies, what I liked was Robson Green’s portrayal of Tony Hill and that he didn’t always act as we would expect a police psychologist to act. It was the quirkiness in the character that was attractive and Green had the perfect looks for the part. There was the love aspect – won’t they will they which might never be resolved in the TV programme now.

Richard III (ITV 1, Coronation Street, 6th February 2009)

Carla said during the episode of Coronation Street last night: “The lady protest too much. Methinks.” So there is a Hamlet connection. As the programme developed the storyline, it wasn’t Hamlet that I felt it was alluding to but Richard III. As the evil Tony admits to his murders and then tries to bare his chest so Carla could stab him. This storyline should have ended last night, but it drags on for another week. I’ve just watched a teary graveside preview from next Wednesday in the ITV i player. Please no more now – wrap it up and let’s move on.

Snow snow snow

It’s going to snow again tomorrow and we’ve all be warned about the weather. It was icy this morning, but I could walk on it. I worry when the children are going to school they’ll make slides then it becomes very slippy on the paths.

I’m sure it snowed much worse than this when we were kids. I remember it being much colder and it felt like it snowed all winter. It was great to go out sledging down Low Moor and as a kid I loved those slides which I dread now. It reminded me of the Gladys Knight and the Pips song:

Why does it always seem the past is better
We look back and think
The winters were warmer
The grass was greener
The skies were bluer
The smiles were brighter

Ahh the winters were warmer in the good old past, but I am thinking they were colder and harsher. Maybe then they weren’t the good old days.

Yes it was rather stressful looking at the weather forecast and thinking ‘oh no I’ll be late for work’ and snow would not be an excuse for lateness.

We’ll see how it is tomorrow.. could take some photos!! The BBC web site has got some really fantastic photographs on at the moment.