Top Lists of 2013

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Top Shakespeare

1.  All’s Well That Ends Well, (RSC RST and Theatre Royal Newcastle).
2.  As You Like It (RSC, RST and Theatre Royal Newcastle).
3.  Titus Andronicus (RSC, Swan Theatre).
4.  Julius Caesar (Donmar Warehouse).
5.  The Taming of the Shrew (Propeller, Newcastle Theatre Royal)
6.  Macbeth (Trafalgar Studios).
7.  Richard II (RSC, RST and Barbican).
8.  Othello (National Theatre).
9.  Hamlet (RSC, RST and Theatre Royal Newcastle).
10.  Twelfth Night (Propeller, Newcastle Theatre Royal).
11.  Coriolanus (Donmar Warehouse).
12. As You Like it (Globe).
13,  Macbeth (Globe).
14. Henry V (Noel Coward Theatre).
15.  A Midsummer Night’s Dream (Globe).
16. The Merry Wives of Windsor (RST).
17.  The Winter’s Tale, (RST and York Grand Opera House).
18.  Richard III (York Theatre Royal).
19. A Midsummer Night’s Dream (Noel Coward Theatre).
20. The Tempest (Globe).

Top Theatre (Not Shakespeare)

1.  The Effect – Lucy Prebble  (National Theatre).
2.  This House – James Graham (National Theatre).
3.  Curious Incident of the Dog in the Night-Time – Mark Haddon and Simon Stephens (National Theatre at the Apollo).
4.  Edward II – Christopher Marlowe (National Theatre).
5.  Talk Show  – Alistair McDowall (Royal Court).
6.  A Boy and His Soul  – Colman Domingo (Tricycle).
7.  A Mad World My Masters – Thomas Middleton (Swan).
8.  Jumpers for Goalposts –  Tom Wells (Bush Theatre).
9.  Blink – Phil Porter (Soho Theatre).
10. Chalk Farm  – Kieran Hurley and A.J. Taudevin (Underbelly, Edinburgh Fringe Festival).
11.  There Has Possibly Been an Incident – Chris Thorpe (Northern Stage at St Stephen’s, Edinburgh Fringe Festival).
12.  Same Deep Water as Me – Nick Payne  (Donmar).
13.  Feast -Yunior Garcia Aguilera, Rotimi Babatunde, Marcos Barbosa, Tanya Barfield, Gbolahan Obisesan (Young Vic/Royal Court).
14.  The Victorian in the Wall – Will Aamsdale (Royal Court).
15.  Let the Right One In – John Ajvide Lindqvist and Jack Thorne (Royal Court)
16.  The Weir – Conor McPherson (Donmar)
17.  Wot? No Fish! – Danny Braverman (Summerhall, Edinburgh Fringe Festival)
18.  Home – David Storey (Arcola).
19.  Candide – Mark Ravenhill (Swan).
20.  Choose Your One Documentary – Nathan Pennington (Gilded Balloon, Edinburgh Fringe Festival).

Exhibitions

1. David Bowie (Victoria and Albert)
2. Pre-Raphaelites (Tate Britain)
3.  Life and Death in Pompeii (British Museum)
4.  Lowry (Tate Britain)
5.  Elizabeth I and Her People (National Portrait Gallery)
6.  Paul Klee (Tate Modern)
7.  Manet. Portraying Life. Royal Academy
8.  Summer Show (Royal Academy)
9.   Peer Doig (National Gallery of Scotland)
10. Glam The Performance of Style (Tate, Liverpool)

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The Effect (National Theatre, November 2012- January 2013)

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Poster Image for The Effect (c) National Theatre

Experiment begins‘.

The audience is entering the auditorium of the Cottesloe Theatre, and they are also entering the waiting room of the Raushen Pharmaceutical Company where drug  trials will take place.  We are given wristbands to add to the effect that we are also patients in the trial.  Sitting on mustard yellow seats, on the red carpet the  next a small coffee table, I felt I my seat was actually on the set.

Lucy Prebble’s play explores whether falling in love is caused by chemicals in the brain, and whether depression can be cured by drugs, or is triggered by events in people’s lives. The debates are carefully conveyed through the dialogue between the four characters – two trialists and two doctors.

The play is such a success because of the dialogue and structure and because there are some fantastic performances from the cast.  There are two doctors, Toby and Lorna, played by Tom Goodman-Hill  and Anastasia Hille  and two trialists Connie played by Billie Piper  and Tristan played by Jonjo O’Neill.  Billie Piper and JonJo O’Neill were excellent in this production and really made me feel that they had really fallen in love.  Connie who tends to analyse, but when she is falling in love there is a sense of irony that she doesn’t really understand what is happening to her. Billie Piper is able to portray the awkwardness of the early moments of the relationship, such as fiddling with her hair, and the rubbing of the back of her shin with the other foot.  Much of the dialogue is very quick and there is a rhythm to it.  Some of the scenes are overlaid to great effect, and this was a device that the director Rupert Goold also used in his RSC Romeo and Juliet production.

The production is very visual.  Data is projected onto Connie and Tristan’s body and across the floor, as if this is how they might be made up. There’s a very poignant moment towards the end of the production, where Lorna mops up blood, and a brain projected onto the stage floor.

The shift from the clinic to the old asylum adds a lovely contrast and undermines the rigour and routine of the trial.  This is the moment that Tristan and Connie become closer. The highlight, which was Jonjo O’Neill’s tap dance. It reminded me of the time he danced to Mr Bojangles as part of the RSC Gala in 2011.  The Saturday Review reviewer said that the tap dance represented the exhilaration of falling in love, and I thought that was a lovely way to describe it.  The lovers/trialists are interrupted by Lorna and as an audience we don’t get our moment of applause, so I felt denied of my moment of acknowledgement and felt that the trialists had as well.  This makes the frustration conveyed as Connie and Tristan are kept apart after the discovery more relevant.

Just before the interval Tristan and Connie manage to escape the restrictions placed on them and meet in Connie’s room.  There’s a very tender scene between when they eventually make love.  In the interval, someone said to me that they didn’t want their heart broken, and there was a sense then that all would not be well at the end of the play.

The doctor scenes at times seemed a distraction from the young lovers, but they offered a contrast and another angle. I felt that the brain in the bucket was a little too slapstick and even though the TED style speech given by Toby does get across his viewpoint well, it did not work  in relation to the rest of the dialogue.  I think that was because I was so interested in Connie and Tristan, I wanted to see more of their narrative. However, as Lorna’s story was revealed, I was surprised, and as she moved towards the tablets at the end, it was if she’d been dissolved into the illusion that she so much wanted to dispute.

What kept me engaged throughout was that I felt I was so close to the performance both physically and emotionally.

Connie and Tristan walk off stage at the end of the play as Ingrid Michaelson’s ‘Keep Breathing’ is playing, it made me feel that there was some hope.

The Effect runs until Feb 23rd at the National Theatre.

Reviews (all links are to external sites)

2011

In 2011, the sublime was a popular topic of discussion. At the National Theatre there was Frankenstein and  in the John Martin exhibition at the Tate, the sublime was on show in a spectacular way. The John Martin exhibition was my favourite exhibition of the year. The epic was presented on grand canvases, but what I loved was getting really close to the paintings to see the detail. Earthly worlds melted into fantastical worlds and where one started and the other finished it was really hard to see.  I missed out on seeing Jonny Lee Miller as the creature, but glad I got to see Benedict Cumberbatch in the role in April.

Though I was delighted by the great John Martin exhibition on a trip to Manchester, I was also impressed by the Ford Maddox Brown exhibition at the Manchester Art Gallery. It was good to see other works alongside Work.

The Royal Shakespeare Company came home to perform in the new Royal Shakespeare Theatre in February.  Some of the productions that I liked  in 2011 were at the end of the long ensemble’s run, but I also looked forward to what the new company arriving.  In Stratford, there seemed to be so many ‘opening’  nights that every time I went to Stratford was some kind of event – the first night, the press night, and the queen opening the new theatre.  I was lucky to get tickets to see Katy Stephen play Cleopatra in a much more stripped down emotional version of the long ensemble’s Antony and Cleopatra  in the Swan theatre.  When the opening nights were over, the last night of the long ensemble seemed to happen so quickly.  The last day  that the long ensemble performed in Stratford was a great occasion because I saw three plays in a day and the last time I would see Rupert Goold’s Romeo and Juliet.  The long ensembles’ last work in Britain was three new plays at Hampstead Theatre.

Kathryn Hunter’s Cleopatra got mixed reviews. It was a performance I had grown to like, and I was so pleased I got to see her in Kafka’s Monkey in July. This was a polished and extraordinary piece of physical theatre.

The new company arrived at the Royal Shakespeare Theatre with a Macbeth and a thought-provoking Merchant of Venice. The critics seemed to prefer A Midsummer Night’s Dream, but out of the three main house Shakespeare productions, I thought this was the least inventive and exciting.  This was a production with Bottom wearing his packed lunch in inventive ways as he sleeps with the fairy queen and which the real world transformed into the woods in such a way, we were meant to feel that elements of the court world were seeping into the dream world.  Michael Boyd’s Macbeth played with time and the souls of the dead haunting the stage.  Rupert Goold’s Merchant of Venice gave Portia a central role in a production set in Las Vegas.   However, the joy for me was the Homecoming at the Swan.  This was a beautifully nuanced piece of work and for me beautifully captured the tone and mood of play.

Beauty was on show in the Leonardo da Vinci exhibition at the National Galley and in Eddie Redmayne’s Richard II at the Donmar Warehouse. Unlike the John Martin exhibition it was so hard to get up clue to anything in the popular National Gallery show. It was so nice to be directed through the gallery past the other Renaissance pairings to the exhibition around the Last Supper.  I really enjoyed Redmayne’s performance as Richard falling apart in from to me.

In other Shakespearean productions, Kevin Spacey’s Richard III which was fantastic and brutal and The Tempest at the Haymarket was a little plodding with a nice performance from Nicholas Lyndhust.

I found the Afghanistan: Crossroads of the Ancient World (British Museum) fascinating, and  I felt that I should have enjoyed the Grayson Perry at the British Museum more than I did.  I was drawn to the Glamour of the Gods at the National Portrait Gallery, which is always a great place to visit before a matinée.

I saw five different production of Hamlet in 2011, starting the year with the wonderful production at the National Theatre, and finishing with Michael Sheen’s performance in the Young Vic’s production  which was set in a mental hospital.   The other Hamlets were the Northern Broadsides, the RSC Young Person’s wonderful production and the Globe’s touring production.

I saw three different Comedy of Errors.  The year with the magnificent all male Propeller  Company production in Sheffield and finished the year with the National’s lively production. Lenny Henry was spot on with the verse and the set really worked on the large Olivier stage. Though both these productions were superb, I also really liked the RSC Young Person’s version which I saw for the first time when it was last performed  in April.

Not all the cultural events have been memorable. In thinking about the past year, I’d totally forgotten about seeing Twelfth Night at the National Theatre until I heard someone on the radio saying that Charles Edwards was their choice for actor of the year. They reminded me that not only had he been a superb Benedick, but he’d also been a decent Sir Andrew in a dull production at the National Theatre.

Much Ado About Nothing scaffolded the year for me personally . It had been a long time since I’d seen a production, nd then two excellent, but very different productions came along. I loved the Globe’s detailed production and Eve Best’s wonderful performance as Beatrice. I was so surprised when she played the ‘Kill Claudio’ line for laughs. Over the river at the Wyndham’s Theatre was the commercial 1980’s concept production which I saw many times starting with the first night. It was great fun and the performances from David Tennant and  Catherine Tate were great and totally in context in this production. There was some comment that the audience only laughed because they saw David Tennant on stage, but when Alex Beckett took over from David Tennant for two nights the laughs came in the same places and it seemed the audience enjoyed the production and still gave it a standing ovation.

…..and my highlight of 2011 was Adam James’ Don Pedro in the Wyndham’s Much Ado About Nothing. It was a wonderful performance that seemed to catch the character so well.  James made everything look so easy, but actually it was his supporting performance that made it possible for Tate and Tennant to give great comic performances.

Best of 2011

Here is my best of.. lists. The following post discusses what I thought about the year.

Shakespeare in the Theatre

1. Romeo and Juliet (RSC at the RST)

2. Much Ado About Nothing (Globe)

3. Hamlet (The National Theatre)

4. Much Ado About Nothing (Wyndham’s)

5.The Comedy of Errors (Propeller at Sheffield)

6. Antony and Cleopatra with Katy Stephens and Darrell D’Silva (RSC at the RST)

7. Macbeth (RSC)

8. The Merchant of Venice (RSC)

9. King Lear (RSC at the RST and Roundhouse)

10. Hamlet (Young Vic)

11. Othello (The Crucible, Sheffield)

12. As You Like It (RSC at Roundhouse)

13. Macbeth (Liverpool Everyman)

14. All Well That End’s Well (The Globe)

15. The Comedy of Errors (Young Person’s at RSC)

16. Hamlet (Northern Broadsides at West Yorkshire Playhouse)

17. Hamlet (Globe touring)

18. The Comedy of Errors (National Theatre)

19. Richard III (Old Vic)

20. Richard II (Donmar)

21. Hamlet (Young Person’s at RSC)

22.  King Lear (West Yorkshire Playhouse)

23.  The Tempest (Theatre Royal, Haymarket)

24.  A Midsummer Night’s Dream (RSC, RST)

25. Twelfth Night (National Theatre)

Other Theatre

1. Jerusalem (Apollo)

2. The Homecoming (RSC at the Swan)

3. Frankenstein (The National)

4. One Man, Two Guvnors (The Lowry)

5. Anna Christie (Donmar)

6. The City Madam (RSC, The Swan)

7. Dr Faustus (The Globe)

8. Betrayal (Harold Pinter/Comedy)

9. Inadmissible Evidence (Donmar)

10. Cardenio (RSC, The Swan)

11. Rosencrantz and Guldenstern are Dead (Haymarket)

12. Grief (The National)

13. 13 (The National)

14. Silence (RSC at Hampstead)

15. Little Eagles (RSC at Hampstead)

16. Season’s Greetings (National Theatre)

17. Juno and the Paycock (National)

18. Cause Célèbre (Old Vic)

19. Deep Blue Sea (West Yorkshire Playhouse)

20. Moonlight (Donmar)

21. The Crucible (York Theatre Royal)

22. The Heretic (Royal Court)

23. Forty Years On (York Theatre Royal)

24. American Trade (RSC at Hampstead)

25. Beggar’s Opera (Belt Up at York Theatre Royal)

Note: Forty Years On is here for proud Mum reasons.

Exhibitions

1. John Martin (Tate Britain)

2. Ford Maddox Brown (Manchester City Art Gallery)

3. Degas (Royal Academy)

4. Leonardo da Vinci (National Gallery)

5. Juma Plensa (Yorkshire Sculpture Park)

6. Glamour of the Gods (National Portrait Gallery)

7. Gerhard Ritcher (Tate Modern)

8. First Actresses (National Portrait Gallery)

9. Miro (Tate Modern)

10. Afghanistan: Crossroads of the Ancient World (British Museum)

11. Gabriel Orozco (Tate Modern)

12. Watteau (Royal Academy)

13. Hokusai’s Great wave (British Museum)

14. Treasures of Heaven (British Museum)

15. Devotion by Design (National Gallery)

16. Royal Academy Summer Show 2012

17. Building the Revolution (Royal Academy )

18. Barry Flanagan (Tate Britain)

19. Grayson Perry (British Museum)

20. Tacita Dean (Tate Modern)

My great cultural moments of 2011

Meeting Sir Alan and Lady Ayckbourn

First night of Wyndham’s Much Ado About Nothing

Last night of Long Ensemble (2009-11) at Royal Shakespeare Theatre – Romeo and Juliet

First night of Long Ensemble (2009-11) at the opening of the Royal Shakespeare Theatre – King Lear

The performance of the year – Adam James as Don Pedro in Wyndham’s Much Ado About Nothing – just wonderful.

Edinburgh Festival

The RSC Ensemble Revealed at the Swan Theatre.

Best actor and actress

Best Actor – Adam James in Much Ado About Nothing (Wyndham’s)

Best Actress – Eve Best in Much Ado About Nothing (The Globe)

Best of 2010

Theatre: Shakespeare

1. Romeo and Juliet (RSC).

2. King Lear (RSC).

3. As You Like It (West Yorkshire Playhouse).

4. Measure for Measure (Almeida).

5. The Winter’s Tale (RSC/Roundhouse).

6. Henry IV part 2 (Globe).

7. Macbeth (Globe).

8. Antony and Cleopatra (RSC).

9. Antony and Cleopatra (Liverpool Playhouse).

10. Hamlet (The Crucible, Sheffield).

11. King Lear (Donmar).

12. Henry VIII (The Globe).

13. The Tempest (Old Vic).

14. As You Like It (Old Vic)

15. Macbeth (Belt Up/York Theatre Royal).

Theatre: Not Shakespeare

1. Jerusalem (Apollo).

2. After the Dance (National).

3. An Enemy of the People (Sheffield Crucible).

4. Women Beware Women (National).

5. London Assurance (National).

6. Enron (Theatre Royal, Newcastle)

7. The Habit of Art (National Theatre).

8. Corrie! (Lowry, Salford)

9. The Real Thing (Old Vic).

10. Canterbury Tales (West Yorkshire Playhouse/Northern Broadsides).

11. La Bete (Comedy Theatre).

12. Death of a Salesman (West Yorkshire Playhouse).

13. Three Sisters (Lyric, Hammersmith).

14. The Misanthrope (Comedy Theatre)

15. Beating Berlusconi. (York Theatre Royal).

  

Exhibitions

1. Gauguin (Tate Modern).

2. Van Gogh (Royal Academy).

3. Renaissance drawings (The British Museum).

4. The Book of the Dead (British Museum).

5. Venice. Canaletto and his rivals. (The National Gallery).

6. Sargent and the Sea (Royal Academy).

7. Rude Britannia (Tate Britain).

8. Summer Show (Royal Academy).

9. Beatles to Bowie (National Portrait Gallery).

10. Chris Ofili (Tate Britain).

  

Books

1. Andrea Levy The Long Song.

2. Hilary Mantel – Wolf Hall.

3. AS Byatt – The Children’s Book.

4. Rose Tremain – Trespass.

5. Colm Toibin Brooklyn.

6. Ian McEwan  Solar.

7. Paul Magrs Diary of a Doctor Who Addict.

8. Tony Blair The Journey.

9. Kate Atkinson Started Early, Took My Dog.

10. Alexander McCall Smith The Double Comfort Safari Club.

TV

1. Coronation Street –  especially for Jack’s Death and the Live episode (ITV).

3. Ashes to Ashes (BBC1).

4. Doctor Who – The End of Time part 2 (BBC1).

5. Doctor Who – especially for the eleventh hour (BBC1).

6. Downton Abbey (ITV1)

7. I’m a Celebrity Get Me Out of Here (ITV1).

8. Macbeth (BBC 4).

9. Luther (BBC1).

10. Silent Witness (BBC 1).

and my guilty pleasure of the year

Peter Kay at the Studio, Lowry (and again at the Manchester Evening News Arena).