Best of 2011

Here is my best of.. lists. The following post discusses what I thought about the year.

Shakespeare in the Theatre

1. Romeo and Juliet (RSC at the RST)

2. Much Ado About Nothing (Globe)

3. Hamlet (The National Theatre)

4. Much Ado About Nothing (Wyndham’s)

5.The Comedy of Errors (Propeller at Sheffield)

6. Antony and Cleopatra with Katy Stephens and Darrell D’Silva (RSC at the RST)

7. Macbeth (RSC)

8. The Merchant of Venice (RSC)

9. King Lear (RSC at the RST and Roundhouse)

10. Hamlet (Young Vic)

11. Othello (The Crucible, Sheffield)

12. As You Like It (RSC at Roundhouse)

13. Macbeth (Liverpool Everyman)

14. All Well That End’s Well (The Globe)

15. The Comedy of Errors (Young Person’s at RSC)

16. Hamlet (Northern Broadsides at West Yorkshire Playhouse)

17. Hamlet (Globe touring)

18. The Comedy of Errors (National Theatre)

19. Richard III (Old Vic)

20. Richard II (Donmar)

21. Hamlet (Young Person’s at RSC)

22.  King Lear (West Yorkshire Playhouse)

23.  The Tempest (Theatre Royal, Haymarket)

24.  A Midsummer Night’s Dream (RSC, RST)

25. Twelfth Night (National Theatre)

Other Theatre

1. Jerusalem (Apollo)

2. The Homecoming (RSC at the Swan)

3. Frankenstein (The National)

4. One Man, Two Guvnors (The Lowry)

5. Anna Christie (Donmar)

6. The City Madam (RSC, The Swan)

7. Dr Faustus (The Globe)

8. Betrayal (Harold Pinter/Comedy)

9. Inadmissible Evidence (Donmar)

10. Cardenio (RSC, The Swan)

11. Rosencrantz and Guldenstern are Dead (Haymarket)

12. Grief (The National)

13. 13 (The National)

14. Silence (RSC at Hampstead)

15. Little Eagles (RSC at Hampstead)

16. Season’s Greetings (National Theatre)

17. Juno and the Paycock (National)

18. Cause Célèbre (Old Vic)

19. Deep Blue Sea (West Yorkshire Playhouse)

20. Moonlight (Donmar)

21. The Crucible (York Theatre Royal)

22. The Heretic (Royal Court)

23. Forty Years On (York Theatre Royal)

24. American Trade (RSC at Hampstead)

25. Beggar’s Opera (Belt Up at York Theatre Royal)

Note: Forty Years On is here for proud Mum reasons.

Exhibitions

1. John Martin (Tate Britain)

2. Ford Maddox Brown (Manchester City Art Gallery)

3. Degas (Royal Academy)

4. Leonardo da Vinci (National Gallery)

5. Juma Plensa (Yorkshire Sculpture Park)

6. Glamour of the Gods (National Portrait Gallery)

7. Gerhard Ritcher (Tate Modern)

8. First Actresses (National Portrait Gallery)

9. Miro (Tate Modern)

10. Afghanistan: Crossroads of the Ancient World (British Museum)

11. Gabriel Orozco (Tate Modern)

12. Watteau (Royal Academy)

13. Hokusai’s Great wave (British Museum)

14. Treasures of Heaven (British Museum)

15. Devotion by Design (National Gallery)

16. Royal Academy Summer Show 2012

17. Building the Revolution (Royal Academy )

18. Barry Flanagan (Tate Britain)

19. Grayson Perry (British Museum)

20. Tacita Dean (Tate Modern)

My great cultural moments of 2011

Meeting Sir Alan and Lady Ayckbourn

First night of Wyndham’s Much Ado About Nothing

Last night of Long Ensemble (2009-11) at Royal Shakespeare Theatre – Romeo and Juliet

First night of Long Ensemble (2009-11) at the opening of the Royal Shakespeare Theatre – King Lear

The performance of the year – Adam James as Don Pedro in Wyndham’s Much Ado About Nothing – just wonderful.

Edinburgh Festival

The RSC Ensemble Revealed at the Swan Theatre.

Best actor and actress

Best Actor – Adam James in Much Ado About Nothing (Wyndham’s)

Best Actress – Eve Best in Much Ado About Nothing (The Globe)

Mark Kermode (City Screen York, 24th February 2010)

I engage with Dr Mark Kermode’s work rather a lot.  I listen to the Radio 5 podcast and watch his appearances on The Culture Show.  I also dip into his blogs and read some of his DVD reviews in The Observer.  This is why it was great to see him in the flesh on his tour.

At the City Screen in York, Dr K told stories from his book It’s Only a Movie.   Listening to the stories that I had just read in his book (an E version on Kindle by the way), brought the stories alive.   The book is funny and I could hear Dr K’s voice in the background as I read, but  seeing and hearing the stories being performed made them hilarious.   The reason for this is that Kermode is able to send himself up and doesn’t take himself too seriously.  On the evening, I saw him on tour, he told the story of how he was hand-bagged by Helen Mirren and how he blagged his way onto a radio show to discuss videos.  These stores were told to great effect with both actions and in different voices.

What was clear from reading his book, and hearing him talk about his life, is that Kermode has grabbed opportunities when they have come along.  He doesn’t sit mopping around, but through his career he has taken chances which have often paid off, such as ringing up Linda Blair’s agent and asking for an interview.  I felt that this must be inspirational for young people who really want to follow a particular path in life.  I asked Kermode in the Q and A what was the thing he was most proud off and he told the story of finding the cuts from Ken Russell’s The Devils.

Kermode is passionate about what he does and this clearly comes across.  He is also an expert in the subject of films.  Kermode’s approach is that he sees himself as the man in the street, commenting honestly on the films he sees.  As he said, this has meant that he has made negative comments to film makers about their films.   The audience in York  were clearly on his side and enjoyed the evening.