Best of 2010

Theatre: Shakespeare

1. Romeo and Juliet (RSC).

2. King Lear (RSC).

3. As You Like It (West Yorkshire Playhouse).

4. Measure for Measure (Almeida).

5. The Winter’s Tale (RSC/Roundhouse).

6. Henry IV part 2 (Globe).

7. Macbeth (Globe).

8. Antony and Cleopatra (RSC).

9. Antony and Cleopatra (Liverpool Playhouse).

10. Hamlet (The Crucible, Sheffield).

11. King Lear (Donmar).

12. Henry VIII (The Globe).

13. The Tempest (Old Vic).

14. As You Like It (Old Vic)

15. Macbeth (Belt Up/York Theatre Royal).

Theatre: Not Shakespeare

1. Jerusalem (Apollo).

2. After the Dance (National).

3. An Enemy of the People (Sheffield Crucible).

4. Women Beware Women (National).

5. London Assurance (National).

6. Enron (Theatre Royal, Newcastle)

7. The Habit of Art (National Theatre).

8. Corrie! (Lowry, Salford)

9. The Real Thing (Old Vic).

10. Canterbury Tales (West Yorkshire Playhouse/Northern Broadsides).

11. La Bete (Comedy Theatre).

12. Death of a Salesman (West Yorkshire Playhouse).

13. Three Sisters (Lyric, Hammersmith).

14. The Misanthrope (Comedy Theatre)

15. Beating Berlusconi. (York Theatre Royal).

  

Exhibitions

1. Gauguin (Tate Modern).

2. Van Gogh (Royal Academy).

3. Renaissance drawings (The British Museum).

4. The Book of the Dead (British Museum).

5. Venice. Canaletto and his rivals. (The National Gallery).

6. Sargent and the Sea (Royal Academy).

7. Rude Britannia (Tate Britain).

8. Summer Show (Royal Academy).

9. Beatles to Bowie (National Portrait Gallery).

10. Chris Ofili (Tate Britain).

  

Books

1. Andrea Levy The Long Song.

2. Hilary Mantel – Wolf Hall.

3. AS Byatt – The Children’s Book.

4. Rose Tremain – Trespass.

5. Colm Toibin Brooklyn.

6. Ian McEwan  Solar.

7. Paul Magrs Diary of a Doctor Who Addict.

8. Tony Blair The Journey.

9. Kate Atkinson Started Early, Took My Dog.

10. Alexander McCall Smith The Double Comfort Safari Club.

TV

1. Coronation Street –  especially for Jack’s Death and the Live episode (ITV).

3. Ashes to Ashes (BBC1).

4. Doctor Who – The End of Time part 2 (BBC1).

5. Doctor Who – especially for the eleventh hour (BBC1).

6. Downton Abbey (ITV1)

7. I’m a Celebrity Get Me Out of Here (ITV1).

8. Macbeth (BBC 4).

9. Luther (BBC1).

10. Silent Witness (BBC 1).

and my guilty pleasure of the year

Peter Kay at the Studio, Lowry (and again at the Manchester Evening News Arena).

Enron (Theatre Royal Newcastle, November 2010) and The Apprentice (BBC1)

Lucy Prebble’s play, Enron, utilises visual imagery from fantasy fiction to tell the story of the collapse of the American energy company Enron.  Not knowing much about the Fantasy genre, I was still able to recognise that the imagery comes from sources  such as Marvel Comics,  Star Wars and children’s cartoons.  For example, Chief Financial Officer Andy Fastow (Paul Chahidi) seems to turn into a Teenage Mutant Ninja Turtle. There are also the three blind mice representing the board and lizard like creators (raptors) working as the hedge companies, which are set up to hide/consume the debt.  If felt as if instead of progress the characters in the play were regressing back to a prehistoric era.  There is even a reference to Jurassic Park.    There’s a really interesting image of  Fastow on the treadmill, and falling off, but this becomes ironical because  he is energised by being sent down to the basement where he doesn’t have to interact with people, and is constantly trying to find ways to hide the company’s debt.

In the play, there is also the theme of if you work hard you can play hard, but the irony is that it is all playing.  One of the ideas that is emphasised  is that Enron thought that they were employing the brightest graduates and this made me think a little bit about The Apprentice. Having watched each series of The Apprentice, except the first one, I am convinced that instead of selecting the brightest applicants, the programme’s producers are selecting some candidates who don’t really get it.  What I can’t understand is if any of the contestants had watched the programme in the past they would have been able to devise some strategies based on previous programmes. When selling the place, product, promotion, and price are some of the key things to think about but in the clothes episode these things seemed beyond some of the contestants. I realise that the programme is edited in a particular way to take the audience down certain paths and to believe a particular narrative, but the contestants seem to provide lots of opportunities to look like they just haven’t a clue. Lord Sugar has this thing which is are the contestants a one trick pony ie sales people?  However, that’s all they seem to do is sell.

The traders at Enron were also selling, but they were not sure what they were actually selling in a strange fantasy world created by those running the company.