Best of 2010

Theatre: Shakespeare

1. Romeo and Juliet (RSC).

2. King Lear (RSC).

3. As You Like It (West Yorkshire Playhouse).

4. Measure for Measure (Almeida).

5. The Winter’s Tale (RSC/Roundhouse).

6. Henry IV part 2 (Globe).

7. Macbeth (Globe).

8. Antony and Cleopatra (RSC).

9. Antony and Cleopatra (Liverpool Playhouse).

10. Hamlet (The Crucible, Sheffield).

11. King Lear (Donmar).

12. Henry VIII (The Globe).

13. The Tempest (Old Vic).

14. As You Like It (Old Vic)

15. Macbeth (Belt Up/York Theatre Royal).

Theatre: Not Shakespeare

1. Jerusalem (Apollo).

2. After the Dance (National).

3. An Enemy of the People (Sheffield Crucible).

4. Women Beware Women (National).

5. London Assurance (National).

6. Enron (Theatre Royal, Newcastle)

7. The Habit of Art (National Theatre).

8. Corrie! (Lowry, Salford)

9. The Real Thing (Old Vic).

10. Canterbury Tales (West Yorkshire Playhouse/Northern Broadsides).

11. La Bete (Comedy Theatre).

12. Death of a Salesman (West Yorkshire Playhouse).

13. Three Sisters (Lyric, Hammersmith).

14. The Misanthrope (Comedy Theatre)

15. Beating Berlusconi. (York Theatre Royal).

  

Exhibitions

1. Gauguin (Tate Modern).

2. Van Gogh (Royal Academy).

3. Renaissance drawings (The British Museum).

4. The Book of the Dead (British Museum).

5. Venice. Canaletto and his rivals. (The National Gallery).

6. Sargent and the Sea (Royal Academy).

7. Rude Britannia (Tate Britain).

8. Summer Show (Royal Academy).

9. Beatles to Bowie (National Portrait Gallery).

10. Chris Ofili (Tate Britain).

  

Books

1. Andrea Levy The Long Song.

2. Hilary Mantel – Wolf Hall.

3. AS Byatt – The Children’s Book.

4. Rose Tremain – Trespass.

5. Colm Toibin Brooklyn.

6. Ian McEwan  Solar.

7. Paul Magrs Diary of a Doctor Who Addict.

8. Tony Blair The Journey.

9. Kate Atkinson Started Early, Took My Dog.

10. Alexander McCall Smith The Double Comfort Safari Club.

TV

1. Coronation Street –  especially for Jack’s Death and the Live episode (ITV).

3. Ashes to Ashes (BBC1).

4. Doctor Who – The End of Time part 2 (BBC1).

5. Doctor Who – especially for the eleventh hour (BBC1).

6. Downton Abbey (ITV1)

7. I’m a Celebrity Get Me Out of Here (ITV1).

8. Macbeth (BBC 4).

9. Luther (BBC1).

10. Silent Witness (BBC 1).

and my guilty pleasure of the year

Peter Kay at the Studio, Lowry (and again at the Manchester Evening News Arena).

Coronation Street (ITV, Monday 8th November 2010)

I thought that the death of the character Jack Duckworth was a lovely piece of television drama.  British soap is usually supposed to be a reflection of gritty reality.  This week, the programme moved the audience from a familiar situation to the unfamiliar without the audience having an immediate awareness that this had happened. Coronation Street is often blurring boundaries, especially in playing the comedy of a situation which can be dark at the same time, and this week’s episode was a really good example of this taking place.

Normally a character exit happens on a Friday, so knowing Jack’s death was coming on the Monday felt a little strange. In building up to the moment, we are in the Rover’s Return with many of the regular cast members. There’s Audrey constantly questioning why all the fuss for a seventy-fourth birthday party. Kevin is getting drunker and drunker, and we wonder whether he will reveal his secret.  In contrast to Kevin, we see Tyrone being the proud dad, though we are aware of the irony around this. We also witness Emily discussing insomnia with Rita. There is also Betty, the barmaid, reminding us that she’s 90. In the midst of this mix of Jack’s sadness at hearing baby Jack is Kevin Webster’s child and the humour in the bar, we realise that this is the character Jack’s goodbye and the actor’s goodbye. There was a moment when we shifted out of the soap world and into the real world of the actors on set doing their job when we saw the actor Bill Tarmey gesture farewell to actor William Roache.

Jack’s passing, as it turned out to be, was extremely well done and not knowing that there would be a surprise made the scene very moving.  Suddenly we had transferred out of the everyday, but don’t realise we have at first.  Jack sits in the chair that Vera died in, and is about to read a newspaper. We hear Vera (played by Liz Dawn) say ‘put down the newspaper’.  The vision of Jack’s death is presented to us as in the familiar soap world, and in the way we experience the soap week in week out. Vera says she’s coming to take Jack with her on the bus.  The two characters dance to the music we’ve just heard playing on the record player. The camera panning upwards is such an unusual shot for this programme and as the viewer we find ourselves looking down directly over the couple’s heads and at that point, we realise that we have witness the moment just after the death itself.

Torchwood and Coronation Street (w/c 6th July 2009)

I have managed to watch all the Torchwood episodes this week thanks to the magic of Sky +. I must admit I was gripped and had to catch up because of watching open air Shakespeare for a couple of evenings (see other blog entries). It was enormously difficult to avoid spoilers (especially now I twitter, have a Reader and Google alerts ping culture news at me). I’ve also been catching up on Coronation Street and it just made me think that even though I am a great Corrie fan, the format of the soap is so limiting and after 45 years there is so little that can be done with it that would shock. In comparison, Torchwood can move across genre boundaries and do some really exciting interesting things.

In Coronation Street, boy looses girl who goes off with his rival and a married man embarks on an affair with friend’s wife. Torchwood can do all that if it wanted but can do lots more, because in Torchwood all humanity is in danger. In Torchwood, it may feel that when the main character cannot die so there can’t be any sense of danger when assassins get close. We now know that even when Captain Jack (John Barrowman) is blown apart and or even cased in concrete we’ll hear that short anguished gasp as the pain of resurrection kicks in and he returns to life (always followed by a humerous quip). So like Corrie, Torchwood has to work with character development because to make the repetitive interesting, but it has the advantage of being able to introduce aliens, time travel and move out of Cardiff to the rest of the Universe.

The episodes of Torchwood this week were clearly political and the time was ‘out of joint’. Like Doctor Who the programme works with debates and issues in society to develop narrative. Taking a simple concept and creating a threat to the world out of it. In this week’s episodes, our attitudes to School league tables, the care system, political spin and public reputation were questioned. Alongside the global issues, there were the personal stories such as the loan civil servant (played brilliantly by Peter Capaldi) can be indispensable with echoes of the David Kelly affair.

In the five episodes, there was a reflection of the early Torchwood episode ‘Countrycide’ in the five episodes that the real threat was human and not alien. It felt that the danger came from the establishment as it tried to track down Torchwood and destroy all those involved in it. It just didn’t seem that there was a threat from an alien known as the 456. We never really saw the 456, and our view of it was built up through the anguished squeals, the large scaled body that banged against the casement filled with poisonous gas that it lived off. The horror came from the fact that the prime minister (Nicholas Farrell) was willing to give up 10% of the world’s children, that a decision was made to take away the children from the lowest performing schools – ‘because what are the league tables for?’ Gwen (Eve Myles) has glimpsed the end of the world and that’s because of the way the human race behaves as the army tracks down children in hiding, rather that the threat from the alien. The horror was also that Captain Jack had sold out in 1965 and given the twelve orphans to the 456 and that he was willing to sacrifice his own grandson. Would Captain Jack ever be able to live with himself and go back to Torchwood. Had Torchwood been destroyed from within in the end?

I wouldn’t want Coronation Street to go Dynasty and write a storyline where a character is kidnapped and taken up in a space ship. Narratives will always centre around the street. What makes Coronation Street so good is that combination of humour and drama. In some ways it is fine to be predictable, characters like Julie, Becky, and Sean are a joy to watch. This is what I love about Coronation Street. Torchwood can bring the drama the twists the critical look at humanity and they way we live.

After all this, Torchwood is not perfect, and in trying to deal with the questions we are all asking – where is Martha, and where is the Doctor? Was the 456 a minor monster so the Doctor could get on saving the universe somewhere else, but the biggest question was surely Martha Jones didn’t say. ‘I’m on hols and it doesn’t matter who invades the earth, even if it means the end of the world just don’t disturb me!!’ The point is we’re talking about it and that will make the programme last.

Yes, I am ready for my next dose of Torchwood. Please return soon.

Coronation Street, Law and Order, Who Do You Think You Are? (February 23rd 2009)

I think I was really pleased that Law and Order was on last night, because I am finding that Coronation Street is really struggling to keep me interested. Ken is seeing another woman again. Tina is lying for David again. There’s a new boss at the Factory again. Steve McDonald has moved a woman into the pub, and Liz and Amy have to get used to her – again. Ryan Connor is scowling and you get the picture. I am a great Corrie fan, but I need my fix of that humour and sadness with a little bit of originality that makes Corrie a great TV drama, and that seems to be missing at the moment.

Law and Order is based on an American programme, which I must admit, I have never watched. The structure is the police solve the crime and the prosecutors bring justice. What a cast as well. Freema Agyeman was refreshing as a young and keen prosecutor contrasted against the director of the CPS , Bill Pattison and the Detective Sergeant played by Bradley Walsh. As the mystery was contrasted with will they prosecute, it felt very satisfying getting the resolution to the narrative all in one evening.

I also watched Who Do You Think You Are? thanks to the magic of my SKY + box. I just thought what a beautiful woman Zoë Wanamaker is and how interesting Sam’s story was. We are aware of the Globe’s story and Sam’s quest to reconstruct the Globe in London. This is a wonderful story, but the story of how Sam came to England was really fascinating as well. I do like this programme, because I get caught up in the search and want to see how far back the Family Historians go. In last night’s episode, Wanamaker just went back through her father’s line and ended up tracing her Grandfather’s family back to Russia.

Richard III (ITV 1, Coronation Street, 6th February 2009)

Carla said during the episode of Coronation Street last night: “The lady protest too much. Methinks.” So there is a Hamlet connection. As the programme developed the storyline, it wasn’t Hamlet that I felt it was alluding to but Richard III. As the evil Tony admits to his murders and then tries to bare his chest so Carla could stab him. This storyline should have ended last night, but it drags on for another week. I’ve just watched a teary graveside preview from next Wednesday in the ITV i player. Please no more now – wrap it up and let’s move on.