The Habit of Art (The National Theatre, 1st May 2010)

I liked The Habit of Art because I am normally interested in plays which explore the process of putting on a play.  When the audience enters the auditorium they are faced with a very cluttered set.  What becomes clear is that this is a set within a set.  In the middle is a desk with piles of books around it and there is a typewriter stuffed underneath. Surrounding this are kitchen facilities, mixing desks and office desks.  It becomes clear that this is the backstage area surrounding the set of another play.  There is also an elevated area with a piano which become Benjamin Britten’s rooms.  The play we are about to watch is actually a rehearsal of a play.

The experience is like, to use the cliché, peeling an onion to reveal the layers.  The play is about the relationship between Benjamin Britten (Alex Jennings/Henry) and WH Auden (Richard Griffiths/Fitz) as seen through the eyes of their biographer Humphrey Carpenter/Tim (Adrian Scarborough).  However, the characters seem to reveal a little of themselves through the characters they play.  Kay, the stage manager, (Frances De La Tour) seems to be able to keep it all together as Fitz, and Henry try to make sense of the play they are in and Tim desperately needs some direction to be able to grasp the role he plays.

The play is funny and engaging.

Reviews

Habit of Art in The Guardian
Habit of Art in The Telegraph

The History Boys (West Yorkshire Playhouse, 11th February 2010)

It is interesting that it is Alan Bennett’s image which is on the publicity materials for the new West Yorkshire Playhouse production of  The History Boys.  Normally, publicity materials give a feel of the production, can portray images of actors, but do not tend feature the image of the playwright, even Shakespearean productions.  However, for me, the image of Bennett does encompass the overall feel of this production.  In my view the production feels as events are projected through a Bennett lens in that they are nostalgic and homely Yorkshire working class with a touch of palatable tragedy.  The History Boys is set in the early 1980s, but there is a timeless feel, except for the snippets of early eighties electronic hits played between the scenes.  I like the way this play captures the lives of a group of young men at a crossroads point in their lives.  The play deals really well with sexual and intellectual awakening and embeds three different approaches to education in the characters of the three teachers.  The set is not  over cluttered and the revolving stage is used to great effect.  This cast interact really well together and this is an excellent production.

 Further Information

http://www.wyp.org.uk/events/event_details.asp?event_ID=5536

Reviews and Previews

The History Boys (West Yorkshire Playhouse) reviewed in The Guardian
The History Boys (West Yorkshire Playhouse) reviewed…