Doctor Who, Planet of the Dead (BBC 1, 11th April 2009)

I am a great fan of Doctor Who and look forward to each episode. Unfortunately, the special ‘Planet of the Dead’ was not, in my view, one of the best episodes of the TV programme.

With any Doctor Who episode, viewers are confronted with the layers of narratives surrounding the production. It is as if the viewer feels that they are being let into the ‘secrets’, but it is more like a publicity campaign constantly keeping Doctor Who in the public eye. For this episode we were told all the details of the red bus. For example, we were supplied with images of Michelle Ryan and David Tennant on the bus and we were privy to the news that the bus had been damaged in transit to Dubai. David Tennant produced a blog and we saw more of the red bus in his blog.

All this was really interesting and certainly kept my attention, but the none of the pre programme stuff really gave any in depth information on the programme itself. They were all, of course – teasers.

I thought the opening of the programme was really strong. It set a tone and aesthetic which I felt if the programme had sustained would have made an excellent episode. The kind of James Bond/Jewell thief cliche could have been developed, but apart from Lady Christina de Souza carting round a bag full of tools and being able to get the diamond and clamps, this aspect wasn’t really developed.

Ok, so the episode moved on and there was the London bus on a rainy evening and maybe things would develop well from this. The idea that the Doctor catches a bus is wonderful, there are so many ways this could be developed and then the bus goes through a wormhole and everything is very disjointed from then on.

The title suggested for me something like Sixth Sense and having a character who had a kind of sixth sense gave the impression that we would really feel surounded by ghosts and not, as it turned out, on a planet which had been invaded by a swarm of insects, or stingrays – I wasn’t sure what.

The bus in the middle of the desert at times looked like a toy bus on the beach. As I knew this was Dubai it felt too much like a London bus in Dubai.

Captain Erisa Magambo is a great character, but UNIT and no Martha or mention of Martha baffled me slightly and I didn’t get the Professor at all.

This is Doctor Who and there were good moments, such as the Doctor’s teeth , but not the bus flying off at the end – why?.

This episode did not explore a concept in the detail and really take an idea forward as other episodes such as ‘Gridlock’ (traffic jams), ‘The Sontaron Strategem‘ (SatNav) or ‘Rise of Cyberman‘ do. As a viewer I could see the possibilities as if the production team had set some really exciting possiblities up, but had then tried to create an episode of a patchwork of unrelated ideas. Normally this would be great, but on this occasion it didn’t work for me.

I am now looking forward to ‘The Waters of Mars’, but maybe staying clear of the pre show publicity and hoping for a classic episode.

The Damned United (27th March 2009)

When I wrote about Don John and Red Riding I talked noted that the two productions were set in a nineteen seventies which was presented as dark and bleak. The Damned United is another production set in the seventies and also uses a sense of bleakness as its backdrop. However, the scenes in grays and silver are fully contrasted against bright domestic scenes which makes this film a very different production from the Don John and Red Riding. The Damned United is the story of Brian Clough who becomes manager of Leeds United for 44 days. David Peace’s book alternates through the first person narration of Brian Clough at Leeds as he is engulfed by the demons around him and the third person narration which sets out the back story and the road that Clough takes to Elland Road. The contrasts in the film are different ferom the novel’s alternation between leeds and Clough’s past professional life. Clough’s time at Leeds United is important in the film but it is not necessarily the focus, which is on Clough’s relationship with his assistant, Peter Taylor.

As most reviewers have said the film is much more humorous than the novel which is very dark indeed. As Peace takes the biographical and autobiographical material around Clough’s life to create a menacing and haunting narrative about a man, like a moth drawn to light, who can’t resist the encounter with his Nemesis.

Even though novel and film are very different in tone, I really enjoyed both. The novel is beautifully crafted and the film makes such good use of flashback and reconstruction to create the a feeling of the seventies which is not as dark as Don John and Red Riding, but feels like a different planet.

PS. One thing, I think I spotted the new East Stand in shots of the 1970’s Elland Road.

As You Like It (The Curve, 21st March 2009)

I thought that Tim Supple’s A Midsummer Night’s Dream was an amazing piece of theatre, and this is why I booked for As You Like It at the Leicester Curve. The cast created some really interesting readings of the play and there was some very thought provoking moments. However, this was a very different production from the Dream. It was very earthy and the wooden stage was dismantled as the production progressed to reveal the wood chip ground of the forest. The floorboards become the trees in the Forest which is a very dark place. As the stage was steeply raked, it felt like the actors were playing on a bank or even on a hillside.

The Dream really moved into an alternative world, where the two worlds in Supple’s As You Like It merged into each other and were very similar. Supple’s production is brown and ochre it is raw and thoughtful. In the past when I have seen productions of As You Like It, I consider them to be like Alice in Wonderland in the that the play depicts a mirror world. I usually feel a real sense of characters moving through the looking glass. In this production, I felt that the characters just move to a different scene when they go into the woods. The world of the court seemed to merge into the world of the woods. It didn’t feel as if there had been a dramatic transformation, just a gradual transformation. That’s probably why I felt that Supple’s As You Like It was so different from his Dream.

This year, there will be the RSC and Globe versions of As You Like It to compare. it will be interesting to see how different the approaches will be, if different at all.

Information about the Production

http://www.curveonline.co.uk/curve.php?pgid=25

Reviews and Previews

FT.com / Arts / Theatre & Dance – As You Like I…
As You Like It at Curve, Leicester – Times Online
Theatre review: As You Like It / Curve, Leicest
The Stage / Reviews / As You Like It
As You Like It at The Curve, Leicester – Times …
As You Like It: All the world’s a politically c…
Review: As You Like It
There’s much to like about As You Like It Met…

Future Me (York Theatre Royal, 12th March 2009)

Future Me really unnerved me. I was really unnerved because I really liked the main character when I left, but deplored what he had done and his crime. I felt I had had some insights into the other characters and what their motivations were. The problem with this for me was that the main character was a paedophile who is sentenced to a term in prison after he is found guilty of raping a twelve year old girl. His horrific offence comes to light when an email is sent from his computer to everyone in his computer address book containing an image which is considered sick and depraved.

Theatre which makes us think and consider the issues raised long after we have left the building is very powerful. Studio theatre at York Theatre Royal is doing a lot of work like this and it should be applauded for taking risks alongside the commercial successes such as the pantomime and Railway Children.

The play made us think that evil isn’t so obvious and can be lurking around us.

Reviews and Previews

Review: Future Me, The Studio, York Theatre Roy…
From Coronation Street to paedophilia Stage …
Future Me – York Theatre Royal – 12/03/09 – Art…
Preview: Future Me, The Studio, York Theatre Ro…

Reviews and Previews

Future Me – York Theatre Royal – 12/03/09 – Art…
Preview: Future Me, The Studio, York Theatre Ro…
Review: Future Me, The Studio, York Theatre Roy…

Edward Gant's Amazing Feats of Loneliness (WYP, 12th March 2009, WYP)

Antony Neilson’s The Wonderful World Of Dissocia deals with bipolar disorder and sets the action in two sphere’s Lisa’s journey and then her hospitalization. The contrast between the two parts of the play comment on each other and create a series of layers which makes this play very powerful as well as entertaining.

Neilson’s Edward Gant’s Amazing Feats of Loneliness is entertaining and any alternative reading is hidden in the slapstick humour. The play is about storytelling and the theatre, and what the theatre can achieve. It was very funny and unpredictable at the same time, as well as being totally entertaining. Like Can Any Mother Help? last week there was no interval, so it takes the audience into the action and the unreality of the events. On the stage of the Courtyard Theatre a Victorian Theatre had been constructed. Making really good use of the playing space, through costumes, props and puppets, the cast of four presented three stories which were very unbelievable and presented with some very crude humour. There was a surprise ending as well.

I felt that the play was meant to be layered, but this didn’t always come across. We were given the impression that a mystery of the troupe would be revealed and is was, but it felt slightly rushed and added on at the end. The play relies too much on building narratives that are intended to make the audience gasp as the performance progresses so the audience are taken along with the surreal world presented to them, and then when the play performed by the troupe merges with the real lives of the troupe, it is difficult for the audience to make the shift.

A good evening’s entertainment without the reflection that we are presented with in The Wonderful World Of Dissocia.

Reviews and Previews
Edward Gant’s Amazing Feats of Loneliness
The Stage / Reviews / Edward Gant’s Amazing Fea
Theatre review: Edward Gant’s Amazing Feats of …